Showing posts with label still life. Show all posts
Showing posts with label still life. Show all posts

Saturday, July 11, 2015

Announcing my new blog


floral fireworks still life painting in oil by Andy Dolphin
Floral fireworks
12.5cm x 22.5cm oil on ply panel.
© Andy Dolphin

I've had a bit of a break from painting but things have been happening - a lot of it has more to do with antique clocks than painting, but things have been happening.

One big change is that my blog now has a new home on my new website, made by my son Michael Dolphin.

If you have this site bookmarked or memorised, you'll need to change your links, or rewire your neurons, and make note of the new address at andydolphin.com.au/blog/

To launch the new site, I have uploaded a new three-part video to Youtube documenting the painting of a small floral still life in oil.

Sunday, November 2, 2014

Denmark Antiques

Brass vase and flowers still life oil painting by Andy Dolphin
Brass vase with yellow bouquet
25x30 cm oil on board. 
 © Andy Dolphin
SOLD

I currently have a couple of recent still life paintings for sale at Denmark Antiques, located at 5 Mt Shadforth Road Denmark, Western Australia. They're just down the road from the IGA supermarket.

If you're in the region and want to spend a pleasant half-hour or so browsing through antiques, collectibles and books, you should pop in and take a look. They have some beautiful wares on display.

Teddy bear, flowers and beads still life oil painting by Andy Dolphin
 Valuables
25x30cm oil on board. 
 © Andy Dolphin



Friday, September 12, 2014

More toys - still life oil painting

Here's my latest still life.

The teddy bear, books and candlestick came from a local op-shop, the flowers are synthetic and from a discount shop, and the beads were my daughter's, before she grew up.

I chose the bear because he looked pre-loved and has an expression suggesting he's just a little bit lost in his own world. I found he looked even better when he was sitting just slightly off vertical.

Teddy bear, flowers and beads still life oil painting by Andy Dolphin
 Valuables
25x30cm oil on board. 
 © Andy Dolphin


Here's a  reminder, too, that the Great Southern Art & Craft Trail starts in just a couple of weeks, on September 27, and runs for two weeks.

I'll have a few paintings out at Manyat Peak Gallery near the Porongurup Range, and will be spending a little bit of time out there painting and meeting visitors. If you're in the region, be sure to pick up a trail map from a visitor centre or gallery, and check out the wide range of work on display.

Friday, August 22, 2014

Girl's stuff - still life oil painting

Here's my latest still life painting in oil.

Girl's toys still life oil painting by Andy Dolphin
 Treasure
30x25cm oil on board. 
 © Andy Dolphin

The plushy dog, the vase and the sequined shoes are all op-shop bargains.

I haven't really got a title for it yet. If you have any suggestions, feel free to drop them in the comments. (I've renamed it "Treasure" since I first posted it here.)

This was begun as a simple exercise in preparation for a larger painting but I ended up spending quite a bit of time on it. I still think I'll do another version, although I might rearrange a couple of things.

I introduced a range of new colours to my palette for this one, including a violet, sap green, a transparent yellow and two rosey reds. I felt that with a subject like this, I needed some vibrant colours that I wouldn't be able to mix from my standard set.

Friday, August 8, 2014

Brass vase and flowers - still life in oil

Here's the latest painting in my "brass on red" series.

Brass vase and flowers still life oil painting by Andy Dolphin
 Brass vase with yellow bouquet
25x30 cm oil on board. 
 © Andy Dolphin

As with the other still lifes, I'll probably work a little more on this one after it's dried a bit. I'll also try to get a better photo.

Here's how it looked as just an under-painting.

Brass vase and flowers still life under-painting by Andy Dolphin

I liked it so much at this stage, I'm thinking of doing a similar one with orange flowers.

I never intended for this to be a series but I'm enjoying the vivid colours and will probably keep playing with different arrangements until I get bored with them.


NEWDEGATE MACHINERY FIELD DAYS

September 3 and 4, 2014

I entered the Newdegate Machinery Field Days art competition for the first time last year. My wife and I took the 3-plus-hours trip to visit the event and were impressed with the exhibition so I decided I had to enter again.

You'll find Newdegate about 400km south-east of Perth and 50km east of Lake Grace.

If you're anywhere near that region in a few week's time, you really should pay the show a visit. I may even bump into you there.

Sunday, July 27, 2014

Brass pitcher - oil still life

I bought this stumpy brass pitcher a few weeks ago at the local secondhand shop. I've been itching to paint it ever since.

I polished it last weekend and set it up today with some synthetic flowers and grapes.



Still life oil painting. Brass jug with flowers by Andy Dolphin.
Short pitcher with flowers - stage 1
25x30cm oil on board. 
 © Andy Dolphin

I consider this one just unfinished as seen here. I had less time than expected and didn't get to spend as long as I would have liked on some areas. I'll take another look at it later in the week and see if I can tidy it up a little.

I am really enjoying the "brass on red" series. This is the fourth one so far and I've been surprised by where the red reflects each time. This one was particularly interesting as the pitcher reflects itself at the base and features alternating upward and downward facing surfaces. It certainly presented a challenge.

Saturday, June 21, 2014

Small floral oil painting

My latest painting is a 9 by 5 inch oil on plywood panel and will be donated to the Plantagenet Community Art Centre to be auctioned in a fundraiser for the facility.

Several local artists and community members have been invited to participate, with all works presented on a similar 9 x 5 panel. Entries will include 2D and 3D work.

The "9 by 5" has a special place in Australian art history as it was the approximate size of cigar box lids favoured as painting surfaces by some artists in the mid-late 1800s. In 1889 the "9 by 5 Impression Exhibition" was held in Melbourne and featured such luminaries as Tom Roberts and Arthur Streeton.

floral fireworks still life painting in oil by Andy Dolphin
Floral fireworks
12.5cm x 22.5cm oil on ply panel.
© Andy Dolphin

My aim here was to produce a fast, loose explosion of bold colour. I already had the image in my mind before I arranged the flowers in the set-up. Set against a dark backdrop and facing in different directions the flowers look, to me, like fireworks.

The 9x5 exhibition opens on Friday night, July 11, and runs for a week at Mitchel House in Mt Barker, WA. Purchase is by silent auction and, with opening prices starting at just $25, I imagine there will be many bargains to be had.

Monday, June 2, 2014

On the easel - Brass & Bear

Here's my latest still life oil painting in progress. It is the third in a series of paintings featuring polished brass.

Still life oil painting with brass jug pitcher and ceramic bear by Andy Dolphin
Brass & bear - stage 1
25x30cm oil on board. 
 © Andy Dolphin

This isn't too far from a finished product but I do want to get in and make some refinements. I'll give it a few days to dry then get stuck into it again.

I am loving the reflective brass with the brilliant red tablecloth.

The ceramic bear was found last week in a local op-shop. The rose is synthetic and is one of a bunch that came from a secondhand shop, along with another brass vase that will no doubt show up in a painting soon.

My collection of brass and other oddments is growing quite fast.

Object collection for still life paintings

All I need now is the time to use them all in paintings.

Sunday, May 11, 2014

Flowers with brass vase - still life in oil

My latest still life painting features another op-shop treasure. I tried several different arrangements using this round-bottomed, squat brass vase, and finally settled on this one.

Brass vase and flowers still life oil painting by Andy Dolphin
Flowers with brass vase
25x30cm oil on board. 
 © Andy Dolphin

As with previous paintings, the flowers are synthetic. This allows me time to experiment with arrangements without worrying about the flowers succumbing to the heat from the lamp. In fact, I can set things up one day and then start the painting days, or even weeks, later without everything wilting and dying.

I'm more interested in composition and colour than the accurate portrayal of particular species of plants, so I have no need for living specimens at this stage.

Interestingly, the most difficult part of this painting was polishing the vase. It was very tarnished but had a lacquer coating that was impervious to lacquer thinners and had to be removed with lots of elbow grease and car polish.

Sunday, April 27, 2014

Yellow flower with brass - still life in oil

I set this up a couple of weeks ago and just got around to painting it this afternoon. The flower is synthetic - the brass is solid. You might remember the tall Indian brass ewer from a couple of months ago. I now have quite a collection of brass, pewter and silver-plate, all waiting for their turn in a still life.

Sunflower and brass jug pitcher still life oil painting by Andy Dolphin
Yellow flower with brass
25x30cm oil on board. 
 © Andy Dolphin

My intent here was to treat this as an exercise in saturated colour and tonal separation. I wasn't trying for a finished painting but with a little more work after it's dried, it just might end up in a frame.

After marking the approximate location of the three main shapes, I roughed in the darkest shadow areas then methodically filled in mid tones, shadows then highlights.

I gave little thought to the objects as "things" and paid attention only to the relative values, hues and colour temperatures of adjacent areas.

Polished brass is interesting because we think of it as being a warm yellow sort of colour but its surface reflects all the colours around it, warm and cool. I was amazed just how accurately it reflected the red table cloth.

The photo was taken under a combination of incandescent and fluorescent light and I struggled to reduce reflection off the still-wet brush strokes. I guess I need a polarising filter to help with that.

Thursday, March 27, 2014

Chinese vase still life - new video

 Miniature Chinese vase still life in oil by Andy Dolphin
Miniature Chinese vase
21x25cm oil on board. 
 © Andy Dolphin

I uploaded a new video last night giving a glimpse of the process I followed when painting my Miniature Chinese Vase still life.

As always, it's best if you go to Youtube to see the video in higher resolution.



Let me know what you think. If I get enough feedback, I'll look at uploading videos more often, so if you like it, share it widely via your favourite social media.

Op-Shopping

I've been doing quite a bit of op-shopping since shifting my focus to still life paintings. I now have a small but interesting collection of ornaments including cups, vases and candlesticks. Patience and persistence are key when looking for gems at thrift shops. Many visits result in no purchases at all but every once in a while there will be something that just begs to be purchased.

I popped into a local op-shop a couple of days ago and spotted a brass jug standing among the wood and metal bric-a-brac. I loved the shape and since I'm particularly interested in including brass objects in still life paintings, I had to have it.

Apparently these wide-mouthed pitchers are called ewers. This one, I believe, was made in India. It's solid brass, stands around 20cm tall and weighs over half a kilogram. Online values for seemingly identical ewers range from around $15 to over $90. I think the lower price is more reflective of the true value.

Brass is often lacquered to prevent tarnishing but the lacquer coating eventually breaks down in some areas, leaving a combination of shiny and tarnished metal. In this case, all vertical and upward-facing surfaces were completely tarnished while all downward-facing surfaces were still quite bright. Although this is fairly typical, I didn't really want to use it like this in paintings, so I decided to clean it up a bit.

Here's the before and after pics...

tarnished unpolished brass Indian ewer pitcher jug
polished brass Indian ewer pitcher jug

I removed the lacquer with lacquer thinners (this is definitely an outdoor job), then used car polish and elbow grease to bring the brass to an overall level of brightness. If this were a display piece, I would polish it further to remove remaining spots of heavy tarnish, then apply a coat of wax to deliver a mirror-like shine and a level of protection. But I don't want it to be too reflective so I'll actually leave it to tarnish a bit then hit it with a light coat of either lacquer or wax.

Keep an eye out for it in future paintings.

Wednesday, March 5, 2014

Miniature Chinese vase still life

I painted this little still life a couple of days ago.

 Miniature Chinese vase still life in oil by Andy Dolphin
Miniature Chinese vase
21x25cm oil on board. 
 © Andy Dolphin

The miniature Chinese-style vase was purchased two weeks ago at a local op-shop (thrift shop) and stands around 8cm tall. The flowers are synthetic and were picked up at a garage sale for two dollars.

I used a new full-spectrum, 6400K compact fluorescent bulb to light the set-up on this one. Full spectrum lamps give a much cooler, true-white light compared to other globes. It took a bit of searching to find a bulb but the local lighting shop tracked one down for me for $9, which is much cheaper than I'd seen quoted elsewhere for similar bulbs.

I used the same lamp to add extra light in the studio while photographing the painting and am very pleased with the result. I did hardly any adjusting in Photoshop at all this time. I'm going to look for a couple of lamp stands and get some more bulbs to make that process even better.

I did shoot some video of progress on this one. Hopefully it will be good enough to edit together and put on Youtube.

WOOLORAMA:

I completely forgot to mention that this weekend (Friday 7th & Saturday 8th March) is Wagin Woolorama weekend. I took out first prize last year and have entered three paintings again this year.

Fingers crossed.

If you are in the region on Saturday, or feel like a day out (it's about two and a half hours from Perth), I might see you there. Just follow the map to Wagin then follow everyone else when you get there.

Sunday, February 23, 2014

Blue vase - still life in oil

Over the last few weeks, I've been visiting op-shops and garage sales and picking up interesting odds and ends for use in still life paintings.

This blue vase was one of the things I collected. It is a very dark, yet intense blue with a gold and silver foil pattern on one side. The small cream-coloured ceramic pot is one I picked up at an op-shop years ago. The flowers are synthetic, but if you don't tell anyone, then I won't mention it either.

Blue vase
25x30cm oil on board. 
 © Andy Dolphin

I almost never do still life paintings but I want 2014 to be the year where that changes. This painting is the first step in that journey. I started it at 8pm yesterday when the mood suddenly hit, and I was done by 10pm, with a short break half-way through. I had already set it up the day before.

I don't consider it finished but I'm happy with the overall feeling of it as a "proof of concept".

The palette is quite limited: ultramarine, permanent crimson, cad-yellow light, yellow ochre and burnt sienna.

The lighting for this was supplied by an old domestic compact fluorescent globe but I got a new full-spectrum compact fluoro yesterday that I hope to use in future.

Sunday, February 9, 2014

400-Day Clock Digital Still Life

I was playing around this afternoon trying to assemble an interesting still life setup using one of our recently-acquired dome clocks.

I don't have a lot of useful ornaments or bric-a-brac to populate a still life, and February is a dreadful time to go looking for colour around the garden, but I did find a petunia that was still holding onto some flowers. Using the still-life stand I built last month, I added a few small vases and even some lemons and got to work arranging.

I spent hours trying different arrangements and lighting, taking photos as I went. With no time left to start an oil painting, I did this digital painting of a close-up of the clock pendulum.

Schatz 400 day anniversary dome clock pendulum - digital still life painting
400-day dome clock pendulum
Digital painting
© 2014, Andy Dolphin

Friday, January 31, 2014

As an aside...


For years my wife, Janet, expressed her interest in "dome clocks". We looked around from time to time but never saw any for sale in the places where we expected to find them.

Then, a few months ago, I saw one at the local auction house. It was a genuine wind-up clock - though it was without a key. I had no idea if it would work or not, and I knew nothing about these clocks, but I got it cheap. At the very least it would make a nice ornament and I even foresaw the possibility of including it in a still life painting at some point.

kern MIV 400 day anniversary dome clock
Kern MIV Anniversary Clock
circa 1962

Once home, I set it up on the bookcase and tried to get it to work – without success. And so began my education in "400-day" or "Anniversary Clocks" (as it turns out they are officially called, because they only need winding once a year, in theory) and my fascination with these time-keeping devices was born.

To cut a potentially long story short, the clock started working after a month or so, with just a little perseverance on our part. It's been running mesmerisingly non-stop now for two months. This, apparently, is something of a victory as these clocks are renowned for being exceptionally difficult to work with, to the point where many experienced clock repairers simply refuse to have anything to do with them. As a result, they are often found for next-to-nothing in thrift shops and flea markets.

Shortly after buying this clock, I had discovered the location of another unwanted, unworking anniversary clock so I approached the owner and he gave it to me. A few parts were detached, but present, and the clock hadn't run for a long time. It was clear someone had tried and failed to fix it.

I worked methodically through the steps I had learnt to date. I assembled the detached parts and got the clock turning as it should, albeit for a very short time. Ultimately I had to dismantle part of the clock, make some adjustments and reassemble – then it started to work. A few days later I decided to give it a bit of a shine.

Schatz 53 400 Day Anniversary Dome Clock
 Schatz 53 Anniversary Clock
November, 1954

It's early days for the second clock (life was not meant to be this easy when dealing with these devices and I know it has some deep-seated issues we'll need to work through at some point) but we now have two "functioning" 400-day clocks.

They are marvels of finely-balanced engineering and works of art, in a rather "steampunk" sort of way.

Now I want more of them. I have the urge to completely dismantle, service and rebuild anniversary clocks – for fun.

I'm not usually mechanically inclined but something about these clocks appeals to my inner-geek. I have a need to learn everything there is to learn about what makes these things tick, if you'll pardon the obvious pun, but the two clocks we have are behaving too well to risk upsetting them.

I also have the inclination to include several of them in a still life setup, so this article really is about painting after all.

If you happen to know where there are some of these unwanted treasures, whether in an attic or a secondhand shop, preferably within "easy" reach of southern Western Australia, Yanchep to Augusta to Bremer Bay , please drop me a line at adolphin@westnet.com.au.

Thanks for listening, now back to normal programming.

Monday, January 6, 2014

Still Life Painting Stand

Happy new year blog reader!

I haven't had much chance to paint over the "festive season" but I did manage to find some time to build myself a stand for setting up still life arrangements.

I've wanted to do still life for some time but I never really had a convenient way to set them up. Cardboard boxes on top of cardboard boxes just don't cut it.

Here's my solution to that problem...

diy still life oil painting set up stand

I built it out of some old shelves and other bits of chipboard and timber I had in the garage and I finished it in the same colour as my studio walls. It's made in two sections and can be set to four different heights. Like several other things in my studio, it's on castors so I can shove it around.

The idea is to have an assortment of different sized boards and surfaces that can sit on top to the stand to hold arrangements of objects. I also need to accommodate a "back wall" that can be either painted matte black or covered in draped cloth. I may even build a simple shadow box to sit on top.

Friday, November 22, 2013

New exhibition - Porongurup

I'm going to have a few paintings in an exhibition to celebrate the opening of a brand new gallery in nearby Porongurup. The date hasn't been finalised yet, but it will be very soon. I'll post more information as soon as I have it.

One of the paintings I will have for sale is this little still life...

Big Apple - still life fruit painting in oil by Andy Dolphin
  The Big Apple
20x24cm oil on panel. 
© 2013, Andy Dolphin 
SOLD

Long-time followers of the blog might recognise this baby as "Fallen Apples", painted in 2010. 

Since I first painted it, it's been hanging around the studio taunting me to do something with it. Finally, last week, I decided I needed to rework it to loosen it up a little and harmonise the colours a bit more.

I'm pretty happy with where it ended up, so it now has a frame to live in. I like it even more in a frame.

In celebration of its new lease on life, I've also retitled it "The Big Apple".

Thursday, June 17, 2010

Still Life: Fallen Apples

Here's one I did a couple of weeks ago but never got around to posting until now.

Fallen Apples
20x24cm oil on panel. 
© 2010, Andy Dolphin
SOLD

Monday, May 17, 2010

Still Life: Red & Blue 2

Following the success of Red & Blue #1, I used the same props and 4-colour limited palette to do a second still life.

Oddly, this one threw some unexpected challenges at me. I had essentially completed the painting but for some reason, I could not get the small vase to look right - despite painting it twice. Once again it was looking like I should take up golf instead (do all artists think like this?).

I knew the composition worked and I was happy with the overall colour concept but the vase had to go. So I grabbed a painting knife and scraped off the vase and background. I never used to do this with my disappointments - I just "added them to the pile" - but if the overall composition is working, scraping is a very useful technique.

A few swift scrapes across the surface with the long side of the knife leaves an impression of the image behind in the primed surface, even on a smooth panel like this one (primed MDF). The ghosted image acts as an underpainting so from this point all attention can be focussed on colour rather than layout.

I took a photo of the setup and did a 20 minute painting in Photoshop.

(Red & Blue #2 - digital. 720x520px. © 2010, Andy Dolphin)

This was enough to convince me I did have some vague idea of what I was doing - I just had to make the paint do what I wanted it to do.

So the next day I took to the painting again and I think I got it right this time. Phew!

(Red & Blue #2, 20x24cm oil on panel. © 2010, Andy Dolphin)

Golf can wait until another day.