In this seascape, done with Gallery 500 at Terra Verde Gallery in Albany, I focussed mainly on translucent water and the colours required to make a convincing "white" in sunlight and shade.
I did this landscape with Albany Art Group. My main interest here was aerial perspective and shadow-sunlight contrast. The original is very warm as we were painting under mercury-vapour lamps which lean heavily toward blue-green and tend to suck the life out of reds and oranges. Consequently, there's a tendency to mix these colours more saturated than usual.
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